KINO PRASMAT 1.5/50 Lens Characteristics (by Miyazaki San)Ī large aperture cine lens released by Mayer in 1922. A much more affordable option now exists in the Vario Plasma. Copies in good condition can fetch truly dizzying prices. The Kino-Plasmat has always been a highly regarded and ardently sought after lens, in both cine and still-camera configurations, and the advent of short-register mirrorless digital bodies has only increased its stature and desirability. Like the Planar, the Kino-Plasmat is a 6-element/4-group design, but its optical layout is dramatically different. At the time of its mid-1920s introduction, it was the fastest camera lens available anywhere with a maximum aperture of 1.5. He then defected to competitor Hugo Meyer, for whom he designed the now-legendary Kino-Plasmat. Paul Rudolph started out working for Carl Zeiss and during his tenure there he designed something called the Tessar and Planar. If that name rings a bell it is because Dr. Paul Rudolph, and were the fastest lenses available at the time at f1.5.
The Hugo Meyer Kino-Plasmats were developed in the 1920s by Dr. Vintage cine lens buffs will no doubt drool at the name of Kino-Plasmat and this one is sure to be added to the arsenal of the eclectic portrait photographer looking for something different. He has also improved the dampening on the focus and separated the aperture to ensure focusing doesn’t affect the aperture. The lens has an adjustable spherical aberration ring, that is incorporated into the barrel of the lens, making for easier fine tuning. Miyazaki has added to this classic formula some of his unique improvements. The first lens to be released in Reiwa, this beauty of a hunk of metal and glass is a modern interpretation of the legendary Kino-Plasmat. With a new period dawning in Japan the timing could not be better for Miyazaki san to unleash his latest concoction, the MS Optics Vario Prasma 50mm 1.5 for M mount. Camera Geekery: MS Optics Vario Prasma 50mm 1.5 M mount
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